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David Lynch On Communicating With Film

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George Stevens Jr. Walmart Tell us if something is incorrect. Book Format: Choose an option. Add to Cart. Product Highlights A companion volume to George Stevens, Jr. Those represented here--directors, producers, writers, actors, cameramen, composers, editors--are men and women working in pictures, beginning in , when the studio system was collapsing and people could no longer depend on, or were bound by, the structure of studio life to make movies.


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Here also are those who began to work long after the studio days were over--Robert Altman, David Lynch, Steven Spielberg, among them--who talk about how they came to make movies on their own. Some--like Peter Bogdanovich, Nora Ephron, Sydney Pollack, Francois Truffaut--talk about how they were influenced by the iconic pictures of the great pioneer filmmakers. In this series of conversations held at the American Film Institute, all aspects of their work are discussed. Here is Arthur Penn, who began in the early s in New York with live TV, directing people like Kim Stanley and such live shows as Playhouse 90, and on Broadway, directing Two for the Seesaw and The Miracle Worker, before going on to Hollywood and directing Mickey One and Bonnie and Clyde, among other pictures, talking about working within the system.

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It wasn't until the picture had an identity and a life of its own that the studio acknowledged it was a legitimate child of the Warner Bros. This town never was infected by that kind of goodness. And that's how you'll be in the movie.

Conversations at the American Film Institute with the Great Moviemakers : The Next Generation

Thank you very much. The famous post-war baby boom has come of age, and they are well-educated people. He really does have an obligation to the people who make films. Conflicting obligations?

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Not at all. Do you find yourself taking more pains with important films than with Walt Disney films? In all candor I would have to say yes. There are others who feel differently.


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That really is scary. He was then thirty-four years old.


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  • He was unceremoniously eased off The New York Times. Excerpted by permission of Knopf, a division of Random House, Inc. All rights reserved.